THE WOMAN WHO SCREAMED OFFSTAGE

 

ALL THE SETS WERE UP, PAINTED, DRILLED, THE LGIHTS SETUP. THE CAST AND CREW ALL ARRIVING TO BEIGN THEIR PARTS OF A MOVIE, JUST A PEACEFUL DAY ON SET.

SHE RAN LATE AS EVER AND WHILE SHE MADE IT TO THE SET OUT OF HER TRAILER, WALKED INTO THE DRESSING ROOM, REHEARSING HER LINES. INSIDE THE QUITE AREA OF THE DRESSING ROOM, BUT SOMETHING WAS NOT RIGHT.

 

THE YOUNG ACTRESS TURNED ON HER TABLET AND BEGAN READING. A BRISTLING SOUND CLOSE BY FROM BEHIND HER STARTED MOVING.

SHE THOUGH IT WAS SOMEONE PRANKING HER JUST FOR FUN, BUT WHEN SHE CALLED THE NAMES OFHER CO-STARS, SHE STARTED TO GET COLD, FREEZING BEEDING COMING OUT OF HER POURS OF HER FACE, ALERT.

 

THE NEXT MOMENT SHE BRUSHED IT OFF AND WALKED TOWARDS THE SET TO BEGIN FILMING OF HER LINES ON STAGE. BLOOPERS, SERIOUS EXPRESSIONS, DRAMA, AND ACTION CONTINUED ON SET.

 

A SUDDEN JOLT OF A BOLT LOUD TO HEAR POPPED OFF THE SET, MAKING A BUCKLING SOUND. THE YOUNG ACTRESS FELT IMBALANCED. SHE AND THE OTHER ACTORS FELT THE BUCKLING AND THE MOVMENT TOO. THE SET BREAKSDOWN AND SHE AND OTHERS START TO RUN OFF THE SET.

SHE GETS OFF SAFELY LUCKY TO BE ALIVE AND HER CO-STARS START TO AKS QUESTIONS ON HOW THE SET COLLAPSED.

 

WHILE LUCKY TO GET OUT, A CHILLED, ACTRESS LOOKS AT A RIBBON SOMEWHAT FAMILIAR TO WHAT SHE WAS WEARING, NOTICES STREAK OF BLOOD ON HER FIGNER TIPS AFTER PICKING IT UP FROM THE COLLAPSED SET. THE RIBBON LOOKED SIMILAR TO HER WORDROBE.

SHE PICKS IT UP AND REMOVES THE ONE SHE WAS WEARING. THEY BOTH LOOK THE SAME SHE THOUGH. SHE STARTS TO QUESTION WHO WORE THIS RIBBON?

 

 

FOR THE NEXT SCENE OF FILMLING SHE START TO REHERSE HER LINES,NO NOISES IN THE DRESSING ROOM. SHE HEARS  A CRASH, A LOUD ONE OUTSIDE HER TRAILER, RUNNGING TOWARDS THE TRAILER DOOR LOOKING OUT TO BOTH SIDES. NOTHING.

SHE THEN WITH A DOUBT ASKS ABOUT THE LOUD CRASH TO SOME OF THE FILM CREW. THEY ANSWER THAT THERE WAS NOTHING HAPPENING OUTSIDE AND NO ACCIDENTS.

WALKING AWAY FROM THE FILMCREW, GETTING HER ANSWER, SHE NOTICES A RIGHT SHOE SIMILAR TO THE ONES SHE’S WEARING. PICKING THEM UP, SHE NOTICES SCOURCH MARKS ON THEM. SHE BEGINS FEELING CREEPED OUT, DROPPING THEM ON THE CEMENT FLOOR.

 

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THE THIRD SCENE YOUNG ACTRESS BEGINS HER NEXT SCENE WITH THE FILM CREW, THE ACTORS AND THE DIRECTOR DOING A RACE SCENE. SHE ALMOST FORGETS ABOUT THE NOISES THE RIBBON, THE SHOE WITH THE SCOURCH MARKS ON THEM. THE DIRECTORS TELLS HER TO BACK AWAY FROM THE CAR. SHE ASKS WHY TO THE DIRECTOR. THE DIRECTOR LOOKS AT HER STRAIGHT IN THE EYE.

NOT SAYING A WORD THE DIRECTOR LIKE A GRIM REAPER POINTS AT THE CAR, AND SHE TURNS AND NOTICES A DEAD BODY. A RIBBON, A SHOE, BLOOD IN FRONT OF A 1965 CADALIAC.

SHOCKED TO SEE SHE SEE HERSELF ON THE ROAD, DEAD. SHE FEELS A TRICKLE AT THE SIDE OF HER LEFT CHEEK, AND BURNING SENSATION OF OF HER FOOT. START S TO CRY FROM THE AGAINIZING PAING TOWARDS THE DIRECTORS. HER EYES LOOKING TOWARDS THE SKY, AND SCREAMING IN PAIN. SHE THEN DOESN’T FEEL THE PAIN, AND LOOKING AT A DEAD BODY, WHILE SHE STANDS AS A GHOST, HER DEAD UNMOVABLE EYE LOOKING TOWARDS HER. MOTIONLESS.